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All guitarists should explore work outside their genre to fully appreciate the remarkable diversity their instrument holds. In the case of Montgomery, his is the quintessential bebop flavored jazz guitar player, and in my estimation, the best ever, and that's in some pretty heavy company.Joined by Mel Ryne on Hammond B-3 organ, "Boss Guitar" has a unique sound, as Ryne plays a wonderfully smoky and smooth organ, which compliments Wes' playing brilliantly. "Besame Mucho" starts the album off with a Latin flavor, and the CD just seems to float by. Another favorite is "Canadian Sunset", a slower but delicate song that features some of the best chord work on the CD. Fans like to comment on Wes' famous octave picking, which has been copied by tons of players out of admiration, but his truly strong suit, besides being capable of mind blowing solos, is his chordal knowledge that few ever equalled, adding breadth to the playing and more color than any single note solo could hope to do.Wes Montgomery's late '50's work and early '60's albums are his best, where he stays true to his love of bebop, whereas later albums were more commercial and lacking in his usual technique. While they aren't bad, it's the early stuff to go after. "So Much Guitar!", "Far Wes" and "Wes Montgomery Plays The Blues" are all must haves, along with "Boss Guitar." It is a tragedy this genius only lived to 43. Perhaps no single guitarist's death had more of an impact except for Jimi Hendrix, who was known to do a little octave picking himself. It's how jazz guitar is supposed to be done.